I was surprised to see that visitors to London's galleries and museums are down as the National Portrait Gallery (NPG), cited as having the largest drop in numbers, was busy when I visited earlier in the week. The busiest part was the Portrait Award exhibition and while the pieces were technically brilliant only a few grabbed my attention. People often get hung up on art, what should they like, what's the correct way to talk about it. I say ignore all that and look with an open mind. If something takes your fancy, great, if it doesn't, move on. Someone else will like it. If you can't make it to the NPG you can see all the entries online . Here are a couple I like. I'm not going to say anything about them. It's up to you what you think about them. If they intrigue you there's more info on the gallery website. Patchwork by Paula Wilson © Paula Wilson The New Religion by Conor Walton © Conor Walton It is disheartening to see visitor
I've known for some time, ahem years, that I have several WIPs (works in progress) that need attention. I've avoided them, hiding them in project bags and cupboards - out of sight, out of mind - the lure of casting on new items, telling myself they are more important, they will be more interesting, distracting me from the irritation of the unfinished. Truthfully they are not out of mind as they irk me whenever I go on my Ravelry project page, pangs of guilt for socks and sweaters I could be wearing. A post shared by clarestorry (@gingerknits) on Jan 2, 2018 at 8:05am PST In the post Christmas lull I decided to tackle a few, at least getting them out in the open, matching first socks with partially knitted second socks, finding patterns and checking needles sizes. I haven't found them all, that way lies madness, and I do want to cast on new projects as well as tackling the unloved. I outed myself in Instagram as a serial WIP procrastinator and invited ot